Description from Netflix:
In this eerie ghost story, a venerable New
England inn closes after a century in business, and the lodge’s
two remaining employees are determined to uncover the truth about longtime
rumors that the majestic mansion is haunted.
Things I liked:
1. Sara Paxton. As
Claire, she showed endless curiosity, boundless energy, wide-eyed wonder and
abject horror. At times – in her more
awkward moments – she reminded me of a long-lost Deschanel, which is never a
bad thing. I had only seen her in a
couple movies before this (The Last House
on the Left and Shark Night), and
she didn’t leave much of an impression on me.
She was great in this, though.
Far-and-away the best part of the movie.
2. The look of the
movie. West is great at making a movie
look really good. It’s almost as if Wes
Anderson is directing a horror movie. I
have the same praise of House of the
Devil. He has a great sense of how
to use space. Every shot looks perfect.
Things I didn’t like:
1. The Luke character.
He annoyed me to no end. It’s
quite possible that the actor (Pat Healy) did a really good job. The reason doesn’t matter too much. I found him absolutely insufferable. I hated him, his faux-hawk, his superior
attitude, and everything else. Every
time he was on the screen, I was annoyed.
2. Once you get past
the look of the movie, you realize there’s not a lot going on. The movie itself is pretty boring. No real tension to speak of for the bulk of
the film. The dialog isn’t good. It’s not clever. It’s not deep. It’s not snappy. It’s just boring. There’s a little build during the ending, but
the movie had completely lost me by that point.
In the end, I felt like I watched 80 minutes of two people running a
hotel, 10 minutes of a slow-moving ghost story, and 10 minutes of messy,
unfocused insanity.
The real problem of this film is the complete lack of
tension. Scenes don’t really seem to be
building towards anything. Very few
things actually happen, and the build to these events is minimal at best.
3. Random, sloppy jump scares. As a general rule, “slow-burn” movies don’t
do jump scares. And, if they do, they’re
artfully done. This movie decided to
throw that rule out the window. There
were quite a few jump scares, and none of them were very well done. Lots of random bumps and noises. Just lazy, out-of-nowhere scares.
4. Claire’s
inhaler. There were a number of scenes
showing her using her inhaler, to the point where they all but telegraphed the
ending. This was the exact opposite of
subtle.
5. Some of the logic
at the end of the movie. They say things
like, “We need to get out of this hotel,” then spend a couple minutes milling
around the lobby. I understand that
you’re waiting for someone, but you should probably just wait outside. There were a handful of moments like this at
the ending, and they were all maddening.
6. The ending. Even leaving out the terrible logic employed,
the ending was downright comical. The
ghosts were ridiculous. If there had
been a sense of building terror throughout the movie, the ending could have
been very good. But, since there was
none of that, it was just boring. It was
just crazy stuff happening for the sake of having crazy stuff happen, not
because there was an actual build-up to it.
Final thoughts:
West knows how to make a movie look good, but doesn’t
know how to make a good movie. I’m
holding out hope that he learns. He was
listed as writer/director/editor of this film.
He needs to scale back a bit.
Work with a co-writer and co-editor.
He seems like he’s very close to making something amazing, but he’s
missing a key ingredient somewhere.
I saw this last weekend and have been meaning to send it to you all week. This post did it: SNL's Wes Anderson horror film. Ed Norton Jr. does a great job at the Owen Wilson voice.
ReplyDeleteI saw that. "The Midnight Coterie of Sinister Intruders." Made me laugh. It also made me want to see what a Wes Anderson horror movie would really be like. Fingers crossed.
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