I have long been fascinated with the idea of what happens
after a slasher movie ends. Not all
slasher movies, of course. With some of
them, I like to sit quietly and wonder what decisions in my life have led me to
suffer through what I have just seen.
But the good ones leave me wondering what comes next. What comes after the horror?
Very few films seem to deal with this. Sure, there are sequels, but those don’t
necessarily show the aftermath of the horror.
In some cases (like 1981’s Halloween
2), they pick up exactly where the first movie left off. But the killer is still on the loose. Lori is in the hospital, but she has no time
to process what has just happened to her, as she is currently in the process of
trying to survive once again.
In a lot of other cases, we don’t see the characters from
the first film at all. Our killer is off
to terrorize another group of diverse, sexy co-eds. We’re never told what happened to the survivors
of the previous film, likely because we’re not tuning into a sequel to see
those characters. We’re there to see the
killer.
In others (Friday the
13th Part II, Nightmare on
Elm Street
And finally, in others (Nightmare
on Elm Street
I find myself thinking about horror movies in real-life
terms. If the events of this movie
actually happened, what would the repercussions be? Would the dead be so easily forgotten? Or would their loss – as well as the terror
they had to endure – leave a lasting scar?
I’m a firm believer it would be the latter.
Of all the slashers I have watched, I haven’t seen a series
that captures this quite as well as Rob Zombie’s Halloween. I know they are
not widely loved (personally, I liked them pretty well, but I can’t say that I
love them. I find them interesting. More than anything, they just make me feel
kind of dirty), but Zombie certainly tackles the psychological ramifications of
surviving a slasher film in Halloween II
better than any film I’ve ever seen.
When we first meet Laurie Strode in Halloween, she seems to be a normal high school girl. By the time the movie has ended, one of her
best friends is dead (Laurie came across her dead body in the Myers house), and
another was attacked and sliced up.
Both of their boyfriends were killed.
Laurie’s parents were murdered.
The end of the movie finds Laurie trying to escape from the
Myers house as Michael is relentlessly pursuing her and stabbing at her.
That ends with Laurie sitting on Michael’s chest and
shooting him – point blank – in the head.
Personally, I have never shot a human being in the head at
point-blank range, but I imagine it’s not all sunshine and roses (Maniac tells me that it’s particularly
gruesome, and I tend to trust Savini most of the time). And none of the other stuff Laurie endured
that night sounds like a whole lot of fun, either.
Halloween II picks
up a year later. Gone is the
happy-go-lucky Laurie Strode from the previous film. She is an emotional wreck, trying to deal
with these past events through therapy, drinking and pill-popping. Needless to say, it’s not working. She has pushed away everyone who cares about
her.
About halfway through the movie, she finds out that she is
Michael Myers’ sister. Already in an
emotional state, this pushes her further to the edge of her sanity. By the time the movie ends with Laurie in a
mental institution, we’re not the least bit surprised.
Seeing it all written out over a couple paragraphs, the
journey from “normal girl” to “psych ward” seems pretty sudden. But, when watching these films, I don’t know
where else it could’ve ended.
We see a little bit of this in the original Halloween series as well, but not quite
as extreme, and not quite as brutal.
Laurie survives the two initial attacks, and we don’t see her again
until H20 (20 years after those
events). We’re not sure the exact path
she took, but she has changed her name (to Keri Tate), moved to California , and is the
dean of a private school. She has not
told anyone about who she was or where she came from. Even 20 years later, she is still haunted by
the events, to the point where she thinks she sees Michael stalking her on a
regular basis. (Then again, she’s dating
Theo Tonin, so we can’t expect her to be very well-adjusted.)
After surviving yet another Myers attack in that film (and
chopping off the head of an innocent paramedic), we find Laurie in a mental
institution at the beginning of Halloween:
Resurrection (a film I hesitate to even mention, because the mere thought
of acknowledging its existence makes me gag a little, Starbuck or no Starbuck).
And that is where I believe most slashers would leave the
survivors. Even the strongest, most
well-adjusted person would be irrevocably scarred. The deaths of those who didn’t survive would
not be soon forgotten. The survivors would
not recover for a long time, if ever.
I thought it would be really interesting to follow up a
slasher with a drama, but that would end up being box office suicide.
It is because of this odd obsession that I’ll be starting a
new feature here. I haven’t quite
settled on a name yet, but I’m thinking of going with “What Comes Next?” or
“Spoiler Corner”, although I’m certainly not married to either of those. I’ll be taking movies I’ve recently seen and
talking about where the logical progression would lead. My first post should be coming up later this
week. It’s probably going to be Mama, because I can’t stop thinking
about that movie.
I’ve toyed with the idea of starting up another blog, but
have decided against it.
I'm really excited about this. I think it's going to be a lot of fun. If there are any movies you've had this thought about, post them in the comments.
I'm really excited about this. I think it's going to be a lot of fun. If there are any movies you've had this thought about, post them in the comments.
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