Showing posts with label The Purge. Show all posts
Showing posts with label The Purge. Show all posts

Saturday, January 24, 2015

Worst of 2014

My plan was to combine my Best and Worst onto one list.  But then I got to writing and it got a little too long.  So we’ll roll with Worst right now.
I couldn’t find 10 films I really disliked, but it’s because I avoided a lot of movies that probably would have ended up on that list.  Jessabelle, Ouija, Paranormal Activities: The Marked Ones.  All of these were left unseen by me.  I thought about throwing them at the bottom of the list, but that seems cruel.  One day I’ll watch them and rant about them then.  I don’t want to ruin all that fun just yet.  I gotta pace myself, you see.



9. Zombeavers
It’s not that it was terrible.  It’s more what it represents, combined with the fact that it just wasn’t very good.  What it represents is the new SyFy movie trend of making an obviously bad movie, with the plan of making it so ridiculous (and making the title ridiculous) that people will love it for those reasons.  It’s a way to get people to love something ironically, without actually ever trying to make a movie that would stand on its own merits.  SyFy has been making movies for a while, and, while they’ve been pretty ridiculous, they didn’t always fit this bill.  I would tell you how many times I’ve seen Frankenfish, Minotaur, Yeti, Ice Spiders and Sabretooth, but I don’t need your judgement right now.  The wife and I once made sure we were both home to watchOdysseus: Voyage to the Underworld, starring one Arnold “Imhotep” Vosloo.  They were also behind some really quality movies, like Splinter.  They weren’t cheesy all creature-features.  Then the giant shark movies started showing up, and it all went to hell.  “What if we made nothing but stupid, over-the-top movies?”  It’s hard to fault them, really: I’m sure the Sharknado series has drawn in more viewers/money than Battlestar Galactica ever did.
I’m getting on an old-man rant, so it’s time to pull myself out.
That brings us to Zombeavers.  There was no plan in place to make this a good movie.  The idea started and ended with, “What if there were zombie beavers?”  It wasn’t funny.  It wasn’t clever.  It was just a loud, obnoxious movie about zombie beavers attacking sex-addicted college students in a remote cabin.  There were a couple funny moments, but, for the most part, it was really painful.  An unfunny idea that was turned into a movie without much thought put into it.  I didn’t hate it, but it wasn’t good, and it’s just the latest example of a trend that has gone too far.
If it tells you anything, my favorite part of the movie was watching the outtakes with Bill Burr and John Mayer ad-libbing while driving around in a truck.



8. Willow Creek
This is on here because I wanted it to be good.  It’s a found footage Bigfoot movie directed by Bobcat Golthwait.  I’m a fan of Bigfoot, and, seeing as how I had just visited the International Cryptozoology Museum, I was really looking forward to this.
It was really boring, and seemed to steal scenes directly from The Blair Witch Project (Golthwait says he’s never seen Blair Witch, so I guess it’s just some sort of terrible coincidence).  There were a few decent scenes, but I couldn’t stand the main guy, and that really hurt the movie.  It wasn’t terrible, but it just wasn’t very good.
My original review.



7. The Quiet Ones
I’m a fan of Hammer films.  I love the classics, and I’m a huge fan of The Woman in Black.  This has a great cast and a pretty cool story (well, the story this was loosely based on was good.  This version left quite a bit to be desired), but it didn’t really go anywhere.  The writing wasn’t very good, and the characters were barely characters at all.  Like Willow Creek, this wasn’t terrible, but it was really boring and just kind of a slog to get through.



6. The Purge: Anarchy
I really disliked the first Purge movie.  One of my main complaints was that it didn’t show enough of the wider carnage.  All we got was the inside of one house, and the family we were stuck with was terrible.
I got my wish here.  We saw a bigger view of the city.  We got more people involved.  It was exactly what I wanted.  Until I realized that it wasn’t.  Outside of the main character (who was more an action movie stereotype than a character), there wasn’t another likable character to be found.  I think there were a couple good scenes, but I can’t seem to remember them, so maybe it was part of a fever dream.
They tried hard to up their political statement game with this one, and they failed horribly.  It wasn’t smart enough to really say anything; just a string of failed concepts.  How is this only sitting at 6?



5. ABCs of Death 2
Oh.  Right.  Because other movies came out this year that were quite a bit worse.
I didn’t care for the first ABCs of Death, so I wasn’t looking forward to this one.  But I started watching it anyway, because I hate myself.  I say “started”, because I didn’t finish this.  I don’t know that I even made it halfway through.  I had planned to watch the whole thing under the premise of, “If I don’t like what’s on my screen right now, I’ll just wait 5 minutes and a new short will be on.”  But then I remembered I would be doing that for 2 hours, and I just couldn’t do that to myself.  I think I watched 6-7 segments (maybe more), and I didn’t like any of them.  Had I finished this, it would probably be higher on this list.  Or I would be dead.  Either way, I guess.



4. Wolf Creek 2
In what seems to be a theme on this list, I didn’t love the first Wolf Creek.  It wasn’t bad, but there just wasn’t much to it.
For this one, they decided to make Mick Taylor – the killer – more of a personality.  Tell some jokes.  Yuk it up.  Make him more of a wisecracking ne’er-do-well/serial killer.  The people love to laugh with the guy who is brutally murdering and torturing innocent humans, right?
Maybe the thought process was that many people do cheer for the killers in slashers.  But that’s a little different than this.  People cheer for Jason Voorhees and Michael Myers because they’re known entities, and the victims are purposefully vapid.  “Who cares if they die?  They’re not doing the world any good, anyway.”
You could counter my Mick Taylor argument with, “Freddy Krueger cracks jokes,” but those movies were different than this.  By the time Freddy was cracking jokes (“Soul food, nyuk nyuk nyuk.”), those movies had long since veered into the ridiculous.  So far, the Wolf Creek films are still trying to be grounded in reality.  Sure, Mick Taylor may laugh and make jokes as he’s running over a herd of kangaroos (nyuk nyuk nyuk), but they’re still supposed to feel real (they have to, or the ugly torture scenes would be for naught).  This took what I disliked about the first one and made it uglier.
My original review.



3. Alien Abduction
I had high hopes for this.  Something about a found footage alien movie sounded cool.  It sounded like something I could get down with.  But the family we followed were boring/awful, and the movie just dragged.  It was basically the “Slumber Party Alien Abduction” segment fromV/H/S/2 stretched out over 85 minutes.
Hey!  Speaking of V/H/S



2. V/H/S/: Viral
I didn’t like V/H/S, but I thought part 2 was a huge step up.  I didn’t have high hopes for this, but I did think it would be somewhat enjoyable.  I wasn’t expecting something amazing, just something halfway decent.
I didn’t get that.  I didn’t get that at all.
The second segment – “Parallel Monsters” – wasn’t bad.  It was a decent idea, but it drug on for a bit too long.  Still, a decent enough segment.
The rest was terrible.  The segment with the magician and the magic coat was laughable, and didn’t seem to fit at all within the found footage of the rest of the films.  I honestly thought it was a joke, but I was mistaken.  The skateboarder segment was entirely too long, and the characters were insufferable.  The wraparound story was amazingly confusing.  The entire movie was littered with terrible effects of limbs being chopped off.  This was a terrible, terrible movie.  I know anthology films can be a mixed bag, but there was very little to like here.  “Parallel Monsters” wasn’t even good enough to warrant a rewatch.
And the only reason it wasn’t the worst movie I saw this year…



1. Leprechaun: Origins
I like the original Leprechaun series.  I don’t love it, and I certainly don’t think they’re good movies, but I enjoy them for what they are: ridiculous slasher movies about a killer Leprechaun.  Even if I’m not necessarily in the mood for that kind of thing, they’re pretty good movies to put on in the background while I’m doing something else.  I look up from making dinner, see the Leprechaun killing a guy by jumping on him with a pogo stick, smile, and go back to dinner.
I had prepared myself for something different with this movie.  Something darker.  I was looking forward to it.  The original Leprechaun was kind of played out.  With Warwick Davis being replaced by WWE’s Hornswoggle, I was perfectly fine with a change of direction.
But not like this.  Never like this.
The writing was terrible.  The actual origin story was all told by a 4 minute info dump in a basement.  The only likable character was Sophie, but she was only likable because she was set up as our proxy.  None of the characters had much in the way of an actual character.  Sophie and her boyfriend were having issues, but they did nothing to add to the story or the characters.
And the Leprechaun?  They say it was Hornswoggle, but who could know for sure?  Underneath the Galaxy Invader-esque rubber suit, it could have been anyone.  It could have been the kid fromSmall Wonder for all I knew.
There was not a single redeeming factor in this movie.  I thought I would at least find something to have fun with.  “So good it’s bad.”  I didn’t find that.  Maybe I needed to watch it with a big group of people, but I don’t even know if that would’ve helped.  This was a terrible movie.  Please don’t watch it.  Even if you like the Leprechaun series, don’t watch it.  Please.  I beg you.
My original review.

Saturday, November 23, 2013

The Purge


Description from IMDB:
In the future, a wealthy family is held hostage for harboring the target of a murderous syndicate during the Purge, a 12-hour period in which any and all crime is legalized.

I think I'll go ahead and put a blanket SPOILER WARNING at the top here, since a lot of the problems I have with this get into spoiler territory.

First off, I'll say that I love the concept of this movie.  The idea of a world where all crime is legal for one night is a pretty fun idea to play around with.
However, I have a major issue with the idea behind that concept.  The idea is that unemployment rates and crime rates are down because people can go bonkers 12 hours a year.  There's no way it would work out that way.  If people want to kill/rob/vandalize, they won't wait all year for a 12 hour window to do it.  They'll just do it.
For example, look at the main invader, known only as The Polite Stranger.  He is obviously wealthy, and he mentions that he and his compatriots are well-educated.  He's also a psychopath.  It's foolish to assume that his bloodlust (and that of his Purge-buddies) will be sated for an entire year just because he kicked a couple drifters to death one night.  That's not how this works.

As was depicted, it looks as though the majority of people taking advantage of "Purge Night" were out there for killing.  Which makes sense.  Perhaps you're just a normal fella who wants to pee in public without being fined for it.  You're not going to risk that when there are rich kids with automatic weapons running around the neighborhood.  Which brings up this issue: those people with the urge to get into some petty crime for the evening won't be indulging that urge, as they don't want to be murdered.  Those people won't be purging themselves that evening, which means they'll probably indulge that urge at some other time and hope they don't get caught.

The deeper you find yourself digging, the less sense it all makes.

That's not to say this entire movie was terrible, nonsensical trash.  Because it wasn't.  There were quite a few really cool parts.  I loved the opening, where we see the violence of the Purge as shown by surveillance cameras.  It gave me context and scope for what was to come.  Even though most of this movie played out as a home invasion movie, it showed that this was just one incident among thousands (millions?).  It took a huge idea and pared it down to a single incident, while still giving us a taste of what the rest of America looked like.  It was a jarring way to start a movie, but it was extremely effective.  I'm hoping to see more of this in The Purge 2: Lost in Yonkers.
My favorite scene was the nonchalant way the next door neighbor was sharpening his machete a few hours before the start of the Purge.  Big fan of that guy.  I really wanted to follow him around for the evening and see what shenanigans he got himself into.

In the end, this was a claustrophobic home invasion movie.  In a movie with limited characters, a lot hinges on how I feel about the main characters.  And they were terrible here.  The acting wasn’t bad, but the characters were extremely unlikable and made some awful decisions.  I didn’t like a single one of them.  More than any of my other complaints, this is really what killed this movie for me.

Not terrible.  Not great.  A good concept, but not really anything interesting done with it.  It’s worth catching if you don’t have anything better to do for 80 minutes, but don’t rush out to watch this.

Rating: 2/5

Thursday, April 11, 2013

Let's Talk About: The Purge trailer

As you know, I saw Evil Dead this past week.  One of the trailers before the movie was for The Purge.  I had heard some excited giggles about it, but didn't know anything about it.
Anyway, here it is.



At first blush, I was kind of excited about it.  It looks creepy and intense and all those things a good thriller should be.
And it has a pretty cool premise.  For one night out of the year, anything goes.  All that murderous rage you have pent up inside of you?  Let it out.  Kill a hobo.  Hell, kill an honor student.  The only authority you have to answer to is your own conscience (also, if that honor student's parents happen to have machetes at the ready, you will also have to answer to them).  Apparently 12 crime-filled-hours a year is enough to keep the crime rate down the other 364 days of the year.  (And, also, enough to keep unemployment amazingly low.)

But, the more I thought about it, the more ridiculous it all seemed.
Why are they wearing masks?  I don't deny that it's creepy, but why would they wear them?  They can't be punished for the things they do during The Purge.  I suppose it's possible there's an actual reason for this, but I doubt it.  I'm guessing they're wearing them to be creepy.  When really...who cares?  If I were in the house, I wouldn't care whether the people trying to kill me were in masks or not in masks.  I would just be trying to survive.  The masks wouldn't really concern me in that situation.
It all just feels a bit too much like The Strangers, but in different circumstances.
Don't get me wrong: I liked The Strangers.  Sure, I felt it could've been quite a bit better, but I still enjoyed myself (if for no other reason than seeing Dennis Reynolds take a shotgun blast to the head.  That guy...always joking).  That doesn't mean I want to watch a different version of it.
And, in The Strangers, they had a reason to wear the masks.  They could've been arrested if either Liv Tyler or Scott Speedman (I don't remember the character names, so I'm assuming they just played themselves in that movie) survived and was able to identify them.  That line of logic is irrelevant in The Purge.  Like I said, perhaps there is a reason for them wearing masks (they're the neighbors and don't want to be judged for killing someone, they fear retribution the next year, they're working for the government, etc.), but, since one of the characters has his mask off at the door, I'm left to assume there are no such reasons.  Which makes them irrelevant.

What kind of system - one that relies on keeping a family safe in the face of a yearly murderthon - can be disarmed by a kid?  Just by pushing a single button?  You gotta password protect that thing.

The line "Nothing will ever be okay ever again" annoys me to no end.  I have no idea what has happened up to that point, but I have a pretty good idea (my "good idea" revolves around Ethan Hawke dismembering a body with a hacksaw in front of his children).  Still, it's an obnoxious, overdramatic and obvious line.  I hope it doesn't make it into the movie.

This has nothing to do with the movie, but I just read that Lena Heady is broke.  That makes me sad.  I've always liked her.  I've seen her in quite a bit, and she's always been great.  Keep your head up, Lena.  It's gonna be okay.

I will say that I thoroughly enjoyed the shot of them watching the neighbor sharpening his machete.  I really want to do that at some point.

I have no doubt in my mind that I will watch this at some point.  But I do not have high hopes for it.