Showing posts with label Mama. Show all posts
Showing posts with label Mama. Show all posts

Wednesday, July 3, 2013

What Comes Next: Mama


Welcome to the first post in my new series, where I chronicle what I think would happen after the credits roll.  (If you’re curious as to how this idea came about – and why wouldn’t you be? – you can read my original post here.)

For my first post, I thought I would tackle Mama, mainly because it’s one of my favorite movies of the year, but I also left the theater wondering about a lot of the loose ends that were left dangling at the end.  (You can read my original review of Mama here.)

These posts are going to be extremely spoiler heavy.  So, if you haven’t seen Mama and don’t want to know how it ends, I suggest you stop reading now.    So I’ll just put a SPOILER ALERT here, and let you know that it applies to the entire post.

SPOILERS AHEAD.

First of all, I’d like to say a few words about the ending.  I know a lot of people had problems with the ending, but I kind of liked it.  I loved the build-up to it.  They make a big point of finding the bones of Mama’s lost child, and pretty much say that giving her those bones (and thus helping her to find the child she lost) will placate her.  This is a common theme in ghost stories.  To help the ghost move on, a wrong must be righted.  So they give Mama the bones of her child, and everything seems like it’s going to work out.  Mama changes from her freaky ghost figure into her freaky human figure.
But it doesn’t work.  She literally tosses the bones of her child aside in order to go after Lilly & Victoria.  Because Mama was crazy before she died, and even death can’t cure crazy.   
I loved that.  It took a scene we’ve seen hundreds of times and turned it on its head. 
Of course, I was a little sad when Mama ended up taking Lilly as a replacement, but the movie had been set up to show that, while Victoria had a real shot at fitting into society, Lilly never really had that chance.  So, while I was sad (if you’re not sad when an innocent child dies, there’s probably something wrong with you), I understood why it happened.

So…what comes next?
When the movie ends, Annabel, Lucas and Victoria seem poised to go on with their lives.  They’ll mourn Lilly, but they’ll try to get back to as normal a life as they can.  It’s not really a happy ending, but at least they didn’t all die.
But their lives probably won’t be good for very long.
On top of dealing with the death of a child, Annabel and Lucas are probably going away for the murder of Jean.  Who, on top of being the grandmother of Victoria and Annabel, was also the woman they went to court with for custody of the children.  The last time she is heard from, she is calling social services from outside the house of Annabel and Lucas, then proceeds to break into the house to get pictures that could show evidence of child abuse.  She is killed in the house by Mama, and her skeletal corpse ends up at the cabin where the girls were originally found.
Speaking of the cabin…
They are probably also on the hook for the disappearance of Lilly.  There’s evidence of all of them in the cabin, and yet they come back home with only one child.  Just because they’ll never find the body of Lilly (unless they just start looking for butterflies matching her description, which is highly unlikely in a police investigation) doesn’t mean she’s not presumed dead.  She went over the cliff and disappeared in the water.  It happens all the time.  Furthermore, the fact that Mama is no longer plaguing the family means that there’s no chance of her showing up and convincing an open-minded detective that all of this was the work of a ghost.  Mama is gone.  Along with her are the stories that paint Annabel and Lucas as innocent.
Last but not least, they’ll also be on the hook for the death of Dr. Dreyfuss, the psychiatrist.  He is killed in the cabin, and Annabel has a box of evidence stolen from his office in her house. 

With Annabel and Lucas in prison – and Jean dead – Victoria will most likely end up in foster care, which doesn’t bode well for her chances of living a normal life.  Even though she warmed up throughout the movie, her ties to reality were tenuous at best.  Without the constant presence of Annabel and Lucas in her life (the only people who know about Mama, so the only people who can really relate to her), she’ll probably crawl back deeper inside of herself, possibly going back to the feral state they found her in.  In a few years, it wouldn’t be a shock if she threw herself off that same cliff.  It’s grim, but that would more than likely be her fate.

It’s pretty depressing, but that appears to be where their story leads.


I welcome any comments that might add something else to this conversation.

Saturday, March 2, 2013

Mama


Description from Netflix:
Two girls left to fend for themselves in the forest for five lonely years after the death of their mother find refuge in the home of their uncle.  But it soon becomes clear that the girls have not arrived alone in this woodsy supernatural thriller.

Notable actors: Jessica Chastain, Nikolaj Coster-Waldau



My thoughts:
I had wanted to see this as soon as it came out, but fate and timing did not allow it.  Thankfully, I was able to catch a matinee yesterday.
And I loved it.
It had the same kind of feel as The Orphanage (I know that's kind of a lazy comparison, seeing as how Del Toro has ties to both of them, but it doesn't mean that it's not accurate).  It had a great atmosphere throughout the entire film.  They really set the feeling of dread and overwhelming creepiness up pretty early, and it cast a shadow over the rest of the film.  Even in the slow moments, I couldn't help but feel a little tense.  They used a lot of wide shots, so I was always looking over the shoulder of the characters.  Looking for any movement at all.


It was a beautifully creepy movie, which is why the comparison to The Orphanage is so accurate.  Both movies are overwhelmingly eerie.  But, where The Orphanage only goes so far as to be "creepy", Mama hits the "downright scary" button a few times.  The Orphanage had some tense and scary moments, but nothing came close to the terror that Mama slung around.


I'm not ashamed to say that I jumped a few times during this movie.  There were times when I knew something was coming, and I still jumped.  And yet, I never felt that any of jumps were cheap scares.  They worked hard for them, and they delivered.  That's no easy feat.


The acting was terrific.  It's no surprise that Jessica Chastain was fantastic.  With as great as she is, it's kind of amazing that she's just now breaking out (she was also terrific in Lawless and Zero Dark Thirty).


Nikolaj Coster-Waldau (Jaime Lannister from Game of Thrones) was also great, though his role was a bit more limited than I thought it would be.


The real surprise here were the kids.  This movie relied heavily on them, and they pulled through.  They were amazing.  Megan Charpentier (Victoria) was outstanding.  She had an especially complex character to play, and she did a terrific job.  She was torn between her old life (with Mama) and her new life (with Annabel & Lucas).  She had to run a gauntlet of emotions, and she nailed all of them.
Even the actress who played young Victoria (Morgan McGarry) was terrific.  An adorable little kid.  And her dad was going to kill her.  Some people, man...


Isabelle Nelisse (Lilly) was also terrific.  Even though she had slightly less of a character (a feral child who never really seemed to grasp the concept of the real world), she was still terrific.  She had a simple innocence to her, and she played it perfectly.  Even with the overwhelming creepiness, there were still a lot of playful moments with Mama, and Lilly was at the heart of those.


I'd be remiss if I didn't talk about the one massive complaint I've heard about this movie: the CGI of Mama. It's quite possible that I had heard so many negative comments about it that my expectations were lowered so far that the actual CGI couldn't possibly be as bad as my mind had made it out to be.
It could also be that I have recently made peace with CGI.  My deal with CGI is this: as long as the movie is good, I don't really care if the CGI isn't amazing.  I refuse to let bad CGI kill a good movie for me.  Now, if it's a bad movie with bad CGI, all bets are off.  But less-than-stellar CGI is not a deal breaker for me.
Also, I really don't think the CGI was that bad.  Not enough to distract from the creepiness of the movie, anyway.

This has nothing to do with CGI, but I really love this shot

One small fact before I end this review.  The part of Mama was played by an actor by the name of Javier Botet.  He is a horrifying man.  All those weird, disjointed stances Mama took?  All Botet.  Which is simultaneously amazing and horrifying.  (For the record, Botet also played the role of Nina Medeiros in all of the [Rec] movies.)


Overall, I really, really loved this movie.  As I mentioned before, it has a great atmosphere, which gives the entire film a creepiness that never lets up.  I really loved everything about this movie.  I'm already looking forward to watching it again when it comes out on DVD.  This could easily become my favorite movie of the year.

I have a handful of questions about the ending of the movie, and the fallout that would occur.  I don't want to bring them up here, as they would include a lot of spoilers, none of which I necessarily want to bring up here.  Very soon, I'll either do a post about the fallout from certain horror movies (using Zombie's Halloween 1 & 2 as a guide), or start up a discussion blog filled with spoilers (I doubt this will happen, as I doubt enough people read this blog to necessitate another one starting up).  If anyone has a preference, leave a comment.

Rating: 5/5

I can't end this review without a few words about Jessica Chastain's character, Annabel.  Her character goes through a pretty big transformation as well: from a punk-rocker who cheers when she finds out she's not pregnant to a protective and loving mother for Victoria and Lilly.  (Even her wardrobe changed: from low-cut tank-tops to, eventually, a turtleneck sweater.)
It is her punk-rocker side that I want to point out.  They spent a little bit of time on it, and it kind of made me laugh.  My favorite part was when her and Lucas were trying to get custody of the kids.  Part of the case against them featured the statement, "Annabel is in a band."  Granted, the point was more, "how can they support these kids when they don't make any money?", but it sounded more like, "She can't take care of these kids...she plays the devil's music!"

Here are a few pictures showing her transformation (and, again, featuring some of the wide shots this film used).